New Binding by Robert Wu June 2017

Natalie Goldberg's " Into This World ". Woodblock illustrations by Clare Dunne. Printed by Sialia Rieke, copy # 37 / 50, 2011.

This beautiful spiritual book is bound in full yellow chagrin leather in French technique. Decorated with various coloured/textured leather onlays. Tooling in foil and 18k gold. Handsewn silk headbands in brown, yellow and green. Inside marbled endpaper by the binder as well. Cork gold flyleaves. Housed in a pull apart solander case in Danish millimeter style, covered with German linen and edged with grey leather. The book measures 8" x 5 1/2" close.

New Binding by Robert Wu May 2017

Primeval Gods by Christopher Sandford. Illustrations by Blair Hughes Stanton. Printed 1934 at the Boar's Head Press. Copy no 84 / 150. Book measures 5 1/2" x 9". Bound in yellow leather with various coloured leather onlays and tooling in blind and colour. Marbled endpaper in yellow bouquet by the binder. Folding box covered in linen and lined with cork. The design is inspired by Stanton's beautiful Art Deco woodcuts in the book. I love how everything turns's available for sale through

30 selections of my Marbled Graphics in The Metropolitan Museum of Art in NYC!

30 selections of my Marbled Graphics are ready to go into the permanent collection at The Metropolitan Museum of Art in New York City! I am feeling very happy.

New Binding by Robert Wu April 2017

Wanderings of an Artist by Paul Kane.  Designed and bound by Robert Wu for The Royal Ontario Museum, Canada.

New Binding by Robert Wu February 2017 for Paris Salon in Latin Quarter

" La Tete Or " by Morina Mongin. Designed and bound by Robert Wu, Toronto 2017. This binding is made for an upcoming exhibition at Laure and √Čric Busser's bookstore in the Latin Quarter in Paris from March 21th to 31th, and then at their booth at the Salon du Livre Rare au Grand Palais from 5 to 9 April 2017.

Morina Mongin is a Paris based fine binder who wrote this little poetry book about us the bookbinders/gilders...She is the creator of La Reliure Contemporaine and invited a small group of fine binders working in the great French tradition to bind this little book for the salon.

My inspirations for this binding are Japonisme and Chinoiserie - when the East (my heritage) meets the West. Stylistically, it's naturally fitting for me and very appropriate for this occasion as it is the first showing of my binding in Paris, France. I am thrilled to be part of it and was told that the show will be featured also in the French book magazine Art et Metiers du Livre!

The book measures 5" x 5" x 1/2" thick. It is bound in the French simplified style. The spine is covered with red goatskin and titled in gold. The headbands are made with yellow calfskin. The cover boards are covered in white goatskin with onlays of various decorative coloured leather. The inlaid eggshell panels are made by me as well and added with sunago (gold flecks). Inside marbled papers in red are hand marbled by me. The top edge is coloured in red and gauffered in gold. I decided to make a Chinese/Japanese style folding box with bone clasps. I love this type of traditional Chinese folding box because it reminds me of layering quality of kimonos and origami. It's covered with gorgeous Japanese silk/rayon fabric and lined with cork and gold flecked Japanese monigami paper. The overall folding box measures 5 1/2" x 5 1/2" x 1" thick. I am very happy with the way everything turned out. The designs were executed and composed right on the covers without using any template for this binding to keep the spontaneity and improvisation alive! It's more fun that way and I hope I have achieved design of timeless quality.

A magnificent French binding by Robert Wu January 2017

Simon Bussy's Bestiaire, 1927, Paris, large quarto size with 15 pochoirs. Designed and bound by Robert Wu,  2017. Green goatskin with gilding in 22k gold and various colour leather onlays. Top edge coloured in green with gauffering.  Inside doublures of suede and cork paper. Handsewn silk  headbands. Marbled flyleaves in green by Robert Wu. Housed in chemise and slipcase covered with my own marbled paper as well. Inside lined with blue suede. Extra linen box to house everything.  24×14" open cover dimensions.  A sumptuous French binding. I started this project three years ago.  Painstakingly, I finally finished it.

Studio Robert Wu interview in Toronto Star Newspaper !

What a perk!  Story interview about my marbling art in today's Toronto Star newspaper!